چنل استریپ RUPERT NEVE PORTICO II CHANNEL

چنل استریپ RUPERT NEVE PORTICO II CHANNEL

چنل استریپ دست ساز فوق حرفه ای با رزولیشن بی نظیر از تولیدات بزرگ کمپانی راپرت نیو

متشکل از اکولایزر و کمپرسور و امکان  جا به  جایی ترتیب هر دو دی ایزر برای کنترل محدوده های فرکانس روی حروف (سین و شین و ...)

و امکان بلند ترکیب ماتریکس اعمال کمپ و اف اف و اف بی برای صحولت در نرم کردن اتک ریلیز و دیگر جزاء

محصول امریکا در سطح کلاس Class A در رده چنل استیپ ها بسیار رنگ صدای استاندارد شفاف و حجیمی را به شما میبخشد 

دست ساز ساخت امریکا Hand Made , Made In USA 

Texture

Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of the channel.

Post Comp

Moves the EQ after the Compressor

De-Esser

Tunable with the HMF EQ bandwidth reduction, the multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments

Blend

A parallel matrix providing continuously variable control to mix compressed and uncompressed signals

FF/FB

Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response)

RMS / Peak

Overrides the attack setting, using a combination of peak and RMS detection set below 1ms

Side Chain Send/Return

External compressor side chain send and return on 2 x TRS jacks. The send is always active and normalled to the return (NOTE: If the send and return are connected to a patchbay, the send should be normalled or connected to the return by default, as the compressor will not trigger if the return has no signal)

Meters

Dual 16 point peak meters display compressor (not de-esser) gain reduction and output levels

High Pass Filter

Continuously variable from 20-250Hz

HPF to Side Chain

Uses the HPF in the Compressor Side Chain

Gain

Provides 66dB in 6dB steps

Trim

Continuous +/- 6dB level contro

Phase Inverts

Reverses the polarity of the signal

Phantom Power

Selectable 48V for powering microphones

DI

Discrete FET input for Hi-Z instruments

Line Input

Selectable +4 balanced input

LF EQ

+/-15dB adjustment at 35, 60, 100, and 220 Hz, independent LF engage, selectable classic bell or accelerated shelf curves

LMF EQ

+/-15dB adjustment from 70 to 1.4KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.

HMF EQ

+/-15dB adjustment from 700Hz to 14KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.

HF EQ

+/-15dB adjustment at 4.7, 6.8, 12, and 25kHz, independent HF engage, selectable classic bell or accelerated shelf curves

All EQ In

Enables all EQ Bands (Individual bands must still be engaged)

Comp In

Engages Compressor section

Mic Pre

Frequency Response:

Main Output, no load
–3 dB @ 2 Hz
–3 dB @ 160 kHz

Noise:

Measured at Main Output, unweighted, 22Hz-22kHz,
Terminated 150 Ohms.
With gain at unity better than –92 dBu
With gain at 66 dB better than –56 dBu
Equivalent Input Noise better than –123 dBu

Gain:

Unity to +66dB in 6 dB steps,
Trim continuously adjustable from –6dB to +6dB

Line Input:

Trim continuously adjustable from –6dB to +6dB
Maximum Output Level:
Maximum output from 20 Hz to 40 kHz is +25 dBu.

Phantom Power:

48 Volts DC +/- 1%

Total Harmonic Distortion and Noise:

@ 1kHz, +20 dBu output: Better than 0.002%
As above, Silk Engaged: Better than 0.2% Second Harmonic
@ 20Hz, +20 dBu out Better than 0.004%
@ 20Hz, +20 dBu out Better than 0.020%
IM Distortion: Better than 0.002%
Slew rate Better than 4 V/uS

High Pass Filter:

Frequency: Continuously Variable from 20 Hz to 250Hz
Slope: 12 dB/Octave Bessel